URGENT: Help stop the defacement of Miami Beach's Art Deco district!

The Miami Design Preservation League is encouraging Deco-lovers and others to make their voice heard and help persuade the Miami Beach City Commission NOT to liberalize its proven sign laws at a committee meeting on Monday, Jan. 31.

If the laws are weakened, Miami Beach could soon have full-sized advertising signage in empty store windows, and potentially allow for roof-top billboards – the scourge of so many other cities.

If you feel strongly about preserving the character of this unique historic district, please click here and send a email to the Mayor and Commissioners.

Thanks in advance for your support!

How Deco helped sell glamour and style

The weekend of January 14 to 16, 2011 is the annual Art Deco Weekend in Miami Beach, Florida, and the theme this year is Selling Glamour & Style.

As usual, the weekend includes a lecture series (highlighting the influences of the Art Deco era on the modern marketing machine),guided historical walking tours, a couture fashion show, furniture exhibit, film series, weekend drive parade and classic car fest.

Click here for details.

Feature attraction! gas, milk and a coffee

Allenby (later Roxy) cinema as Hollywood dinner theatre in the 1980s.

Toronto's Allenby cinema – located at 1215 Danforth Ave., just east of Greenwood Ave., later rebranded the Roxy – was designed by noted theatre architects Kaplan and Sprachman in 1936. (After its cinema days were over, it was known to a generation of mostly youthful Torontonians as the home of midnight showings of Rocky Horror Picture Show, and as then as the Hollywood Dinner Theatre before lying closed and derelict for more than a decade. 

About a year ago, things began happening when Imperial Oil (which owned the corner lot, formerly the site of a gas station), began transforming the tired but still intact yellow brick building with decorative stone details into a state-of-the-art On the Run convenience store.

Original canopy has been faithfully
rebuilt, including neon lettering.

With the building now essentially finished, Torontonians who once eagerly lined-up to watch the latest movie now line up in droves to get their daily fix of Tim Hortons coffee!

At end of August, the hoarding was still up.
The contemporary On the Run entrance
is to the far right of the photo, facing west.

 Kudos to Imperial Oil for their wisdom to preserve and restore so much of the building to create a unique 'c-store' experience, and to ERA Architects and Teksign for pulling it off!

Read the story about the building's transformation in articles by Dave Leblanc (The Globe and Mail) and Christopher Hume (The Toronto Star). 

Footnote: Other Deco-era cinemas in Toronto designed by Kaplan and Sprachman are the former Eglinton cinema (400 Eglinton Avenue West, 1934-36); the former Bayview (1605 Bayview Avenue, 1936), the former State (1610 Bloor Street West, 1937), the Metro (679 Bloor Street West, 1938) and the Paradise (1008 Bloor Street West, 1939). Two other Deco cinemas (the Pylon – 608-610 College Street, 1939, now the Royal; and the Kingsway – 3030 Bloor Street West, 1939-40) were designed by different architects. Source: Art Deco Architecture in Toronto by Tim Morawetz, 2009.

Art Deco shimmers in Battle of the Blades

Last year, the Battle of the Blades 'figure-skater / hockey-skater combo' TV show took place at Maple Leaf Gardens, the ultimate Art Deco ice palace (1931; Ross & Macdonald, with Jack Ryrie and Mackenzie Waters).

  Georges Laraque and Anabelle Langlois with classic lotus-leaf Art Deco decoration behind.

But this year, despite the fact the show now originates from a brand-new, custom-built set in a giant production studio, the show's designers have retained the Gardens decor. (Read more from National Post columnist Peter Kuitenbrouwer about the creation of the show's set in the Pinewood Studios Toronto.)

Stone 'balconies' accentual recessed vertical strip windows

For instance, the sides of the hall are adorned with crisply fluted vertical piers topped with the Gardens' signature zig-zag details.

More boldly,  there are decorative screens around the ice surface that feature  timeless Deco lotus leaves.

To me, the fact this shamelessly populist reality TV show is putting Art Deco front-and-centre is the best proof that this style truly resonates with the general public!

Notice the bold zig-zags and horizontal stone detailing on the Gardens' facade.

New Women's College Hospital is fracturing its Deco spine

In all the publicity lately about the revitalization of Women's College Hospital, it appears to me that scant attention is being paid to the fact that a heritage building – a National Historic Site, in fact – is being demolished to make way for this new facility.

According to the WCH website History page, the hospital moved in 1935 to its present location at 76 Grenville Street, located close to the University of Toronto. The 10-storey-tall building housed with 140 beds and 45 infant cots, and was officially opened February 22, 1936 by His Excellency, Lord Tweedsmuir, Governor-General of Canada.  The architects of the building were the Boston architectural firm, Stevens and Lee, collaborating with a local Toronto architect, Harold J. Smith.

(For a very detailed history of the institution (formerly known as the Women’s Medical College of Toronto) and its outstanding contribution to women's health in Toronto, click here.)

 
Now I'm well aware that 'the horse is well out of the barn' in terms of any efforts to save the old building, but I believe it deserves some recognition and celebration for its stately, Deco-tinged design.

Women's College at the time of its opening in 1935. (Credit: City of Toronto archives)

Recent view of the original 1935 wing. (Photo: Alan L. Brown)

On the rather quiet Stripped Classical facade, notice the vertical treatment of the windows, the decoration on the spandrel panels, but especially the multiple-plane detailing of the stone-and-brick corners of the piers protruding above the main roofline on either side.

Beyond its contemporary styling, the building also ushered in some important functional innovations for its time:

• improved fireproofing, thanks to a combination of steel frames, reinforced concrete, and hollow tile to isolate fire stairs and panic doors, as well as improved electrical systems.
• enhanced soundproofing to create a quiet environment conducive to recuperation, through the use of noiseless door hardware, elevators and staircases located away from wards, rubber hallway flooring, and a silent light 'call button' system.
• ease of maintenance to maintain sanitary conditions.
• efficiency of the floor layout (a double-loaded central corridor).
• brighter pastel colours – a breath of fresh air compared to the institutional grey and white colour schemes prevalent at the time.

I invite anyone who has information or would like to dig out more information about the design of the 1935 building to add a comment or get in touch!

From cars to conventions... the re-birth of the Automotive Building

The design of the Automotive Building – completed in 1929 and located at 105 Princes' Boulevard, Toronto (on the grounds of the Canadian National Exhibition, fondly known as the 'Ex') – involved a competition with 36 entrants.

The competition winner, Douglas Kertland (1880 – 1982), created what I consider to be the finest example of the 'Stripped Classical' style in Toronto.

The facade of the 120,000 square-foot, two-level facility – built as a showcase for the latest cars, buses and trucks, as well as automotive accessories – featured ribbed pilasters, round arched entries, a decorative moulding and ornamental metal grilles. (For more info, see pages 67 – 69 of Art Deco Architecture in Toronto.)

Here are some photos of the building from 1993 (prior to its major renovation):

Green, cast-iron spandrel panel with multiple planes.

Notice decorative carved owl atop smooth pilaster.

Metal grille covering blind windows contains stylized floral motifs.

In the fall of 2009, after an extensive renovation, the building was reopened as The Allstream Centre, a state-of-the-art convention centre.


Click here to view a photo of the renovated exterior.

The article below, written by The Toronto Star's architecture reporter Christopher Hume at the time of the renovated building's opening, includes a photo of the interior.

Hollywood & Art Deco: a classic double-bill

The Art Deco style certainly made itself felt on the movies, both in terms of the sets and costumes of films from the period, as well as in the design of cinemas themselves. In fact, Art Deco cinemas can literally be found the world over, from the smallest towns to the biggest cities.

Fortunately, the city that's intimately associated with the movies – Hollywood –  has its own Art Deco society (Art Deco Society of Los Angeles).

In my opinion, ADSLA is one of the most organized and effective Deco societies, with a full slate of events (walking tours, lectures, movie showings and galas). As well, it monitors preservation issues in that city, as well as around the world.

If and when you travel to LA, be sure you check out ADSLA's website to see if there's an event you can work into your schedule!

Help save streamlined Australian cinema!

Please help preserve the Glenelg Ozone Cinema in Glenelg South Australia by signing the online petition!

This cinema is an outstanding example of the Art Deco style and possibly the earliest remaining air-conditioned, fully Art Deco designed cinema in the region. Faced in Basket Range freestone, featuring horizontal fins and a prominent vertical signage element (both originally neon lit) it is the only Art Deco theatre in Australia constructed with a stone front. The building was designed in 1936 by F. Kenneth Milne, a prominent interwar architect, after visiting the United Kingdom in the early 1930s.